Performances

Met assembles a Strauss cast for the ages in an astonishing “Frau ohne Schatten”

For an enduringly popular composer like Richard Strauss, it’s unexpected to […]

Cliburn winner Lim shows his elegant style in Chopin with the Philharmonic

The New York Philharmonic achieved a trifecta with its combination of […]

Hough unveils his dramatic new quintet for Chamber Music Society

Sir Stephen Hough brought a sense of emotional equilibrium with the […]

Pianist Han brings insight and intelligence to connoisseur program

Pianist Jimin Han’s recital Sunday evening in Zankel Hall was a […]

Mäkelä, Concertgebouw deliver impassioned Schoenberg, remarkable Mahler at Carnegie

Love was in the air Saturday night at Carnegie Hall, as […]


Articles

Critic’s Choice 2024-25

Terry Riley: The Holy Liftoff. Claire Chase and Juilliard musicians. September […]

Top Ten Performances of 2023

1. Pierre-Laurent Aimard in music of Ligeti, Beethoven, Chopin and Debussy. […]


Announcement

New York Classical Review wants you!

Mon Dec 02, 2024 at 9:33 am

New York Classical Review is looking for concert reviewers.

A deep knowledge of classical repertory across all genres is required as well as excellent writing skills. Classical reviewing and/or journalism experience is preferred but not mandatory.

Please send a CV with clips or links to editor Lawrence A. Johnson at [email protected].

Calendar

December 3

Fretwork
Isetyn Davies, countertenor
Silas Wollston, organist and virginalist […]


News

Nézet-Séguin’s Met contract extended through 2030; will conduct new Ring cycle

Yannick Nézet-Séguin’s contract as music director of the Metropolitan Opera has […]

Met’s 2024-25 season will bring new “Aida” and “Salome,” four contemporary operas

The Metropolitan Opera will continue its expansion into contemporary opera in […]