Performances
Met assembles a Strauss cast for the ages in an astonishing “Frau ohne Schatten”
For an enduringly popular composer like Richard Strauss, it’s unexpected to […]
Cliburn winner Lim shows his elegant style in Chopin with the Philharmonic
The New York Philharmonic achieved a trifecta with its combination of […]
Hough unveils his dramatic new quintet for Chamber Music Society
Sir Stephen Hough brought a sense of emotional equilibrium with the […]
Pianist Han brings insight and intelligence to connoisseur program
Pianist Jimin Han’s recital Sunday evening in Zankel Hall was a […]
Mäkelä, Concertgebouw deliver impassioned Schoenberg, remarkable Mahler at Carnegie
Love was in the air Saturday night at Carnegie Hall, as […]
Articles
Critic’s Choice 2024-25
Terry Riley: The Holy Liftoff. Claire Chase and Juilliard musicians. September […]
Top Ten Performances of 2023
1. Pierre-Laurent Aimard in music of Ligeti, Beethoven, Chopin and Debussy. […]
Announcement
New York Classical Review wants you!
New York Classical Review is looking for concert reviewers.
A deep knowledge of classical repertory across all genres is required as well as excellent writing skills. Classical reviewing and/or journalism experience is preferred but not mandatory.
Please send a CV with clips or links to editor Lawrence A. Johnson at [email protected].
Calendar
December 3
Fretwork
Isetyn Davies, countertenor
Silas Wollston, organist and virginalist […]
News
Nézet-Séguin’s Met contract extended through 2030; will conduct new Ring cycle
Yannick Nézet-Séguin’s contract as music director of the Metropolitan Opera has […]
Met’s 2024-25 season will bring new “Aida” and “Salome,” four contemporary operas
The Metropolitan Opera will continue its expansion into contemporary opera in […]
