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Critic’s Choice – Apr 28, 2015

While Monteverdi’s L’Orfeo is not the de facto first opera, in history…

Critic’s Choice – Apr 22, 2015

What two hands cannot grasp, four hands can.
Bargemusic hosts a number…

Critic’s Choice – Apr 13, 2015

This is a week of difficult choices for anyone craving the new:…

Critic’s Choice – Apr 07, 2015

Amid the many attractions of Carnegie Hall’s extensive “Before Bach” series, the…

Critic’s Choice – Apr 01, 2015


Western classical music and Christianity are inextricably and beneficially linked, with roots

Critic’s Choice – Mar 25, 2015

The Argento Ensemble’s “Mahler as New York Contemporary” series has been one…

Critic’s Choice – Mar 19, 2015


Michael Finnissy is one of the finest contemporary composers, and his music

Critic’s Choice – Mar 11, 2015

Instead of the artificial distinction drawn between “classical” and “new” music, we…

Critic’s Choice – Mar 03, 2015

Why stop at the coldest February in memory? This Thursday night, at Scandinavia House…

Critic’s Choice – Feb 24, 2015

Why should early music have all the fun? The timbres and tunings…

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