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On-Site Opera’s intimate “Amahl” fulfills Christmas mission in a meaningful way – Dec 07, 2018

Gian Carlo Menotti’s Amahl and the Night Visitors used to be …

Beglarian’s music makes the strongest impression in loadbang’s subdued program – Dec 05, 2018

A loadbang is one of two things: a command to initiate …

Malta Philharmonic makes an impressive showing in mixed program – Dec 02, 2018

Even in a city like New York, where pretty much anything …

Met’s cast deux makes for a fresh and involving “Bohème” – Nov 30, 2018

The Metropolitan Opera’s run of Puccini’s La Bohème reached the beginning …

Boston Symphony, Nelsons, and virtuosic Hardenberger bring out the beauty in Gruber, Mahler – Nov 20, 2018

The Boston Symphony Orchestra made its first season appearance of three …

Saariaho’s compelling music transcends Sellars’ uneven contributions in “Only the Sound Remains” – Nov 18, 2018

The first question to ask of any opera throughout the genre’s …

Alexander Quartet brings an intimate simplicity to cornerstone rep – Nov 15, 2018

The Alexander String Quartet entered the Baruch Performing Arts Center stage …

Ligeti past is prologue for JACK Quartet’s program of new music – Nov 10, 2018

Contemporary classical composition is going in so many different directions, that …

Rzewski Festival opens with a piano classic and body percussion – Nov 05, 2018

Spectrum’s Rzewski Festival opened Sunday evening with pianist Corey Hamm playing …

Feldman’s music drops out of frame in dance collaboration – Nov 02, 2018

Music and dance have been inseparable since their mutual origin. The …

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