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Orliński brings a striking voice and admirable artistry to Weill Hall – Feb 01, 2019

A countertenor recital doesn’t often generate as much buzz as the …

Met Opera’s “Iolanta”/“Bluebeard” double feature: Iffy pairing, superb singing – Jan 26, 2019

There are two logical ways to go in producing a double-bill: …

Critic’s Choice – Jan 16, 2019

Regular patrons of the Chamber Music Society of Lincoln Center will …

Tech issues apart, Met’s “Carmen” finds its footing with Alagna – Jan 10, 2019

Not all was right with the Met’s Carmen on Wednesday night. …

Night at the Museum: Uneven cast has Met’s “Aida” looking its age – Jan 08, 2019

Verdi’s Aida has been a staple of the Metropolitan Opera’s repertory …

Ensemble Correspondances brings polish and esprit to Charpentier program – Dec 17, 2018

New York is well into the holiday season, with performances of …

Yoncheva’s sublime Desdemona lifts Met’s tepid “Otello” – Dec 15, 2018

The most powerful scene in Verdi’s Otello is an invention of …

A glitzy new “Traviata” ushers in the Nézet-Séguin era at the Met – Dec 05, 2018

The Yannick Nézet-Séguin era at the Metropolitan Opera has officially begun.…

New Camerata Opera spans 250 years in double bill of Blow and Holst – Nov 30, 2018

New York operagoers heard a bizarre double-bill downtown on Thursday night …

A rough start and bracing finale to Da Capo Chamber Players’ fete of three composers – Nov 29, 2018

The Da Capo Chamber Players, a group approaching fifty years of …

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